One of the original test images, combining a half-tone motif with a monochromatic language reminiscent of black ink on paper.
The “jumping man,” apparently a favourite motif among the “hustle and grind” set, is the sole consistent asset in the identity.
The typeface, Aktiv Grotesk, is close enough to the stereotypical standard of Helvetica that you’d be excused for mistaking them.
The client, an experienced designer, was able to take redbrick’s initial work and run with it, as with the final membership cards.
Some of the fundraising efforts have been particularly successful.
THA’s deployment of redbrick’s visual language has been impeccable.